In all my compositions, I deliberately try to transform the opposing forces of contemporary music into a personal idiom. This idiom is often characterized by pulsating rhythms repeatedly crossed by ametric sonic situations. The harmony is mostly free-
variety of possible syntheses
for organ [ 2006 ] | Präludium -
duration ca. 6'30"
Toccata for organ
from mass after psalmtexts [ 1999 ] | duration ca. 3'00"
three meditations for large organ about sculptures from A. Rodin [ 1996 ] | duration ca. 14'00"
Suite for organ
[ 1982 ] | duration ca. 12'30"
Fantasy for organ
[ 1979 ] | duration ca. 10'00"